The Patagonians

The Patagonians

A single-player adventure with horror elements.
The levels of the game are filled with creepy monsters, riddles and a frightening atmosphere.

The daughter of the protagonist of the game disappears on her tenth birthday.
He rushes in search and accidentally learns that she was seen at the abandoned mansion of the founders of the city.
Going there, the hero will remember what he should not remember.

Tips & Instructions for The Patagonians

The game is controlled using the keyboard.
Use the following buttons to control your character: WASD -move the character, SPACE - jump, SHIFT - run, E - action, LMB - attack, RMB - secondary weapon, TAB - pause.
Use headphones for a better immersion in the atmosphere of the game.
Attention arachnophobes - there are large arachnid monsters in the game.
Also in the game there are sudden and frightening sounds.

Game Features

In the game you are waiting for:
- simple controls
- interesting story
- unique monsters
- bosses
- original 2D graphics
- atmospheric soundtrack

What studio created this game?

The game was published and developed by RDV Indie Games.

What technology stack was used to develop this game?

The game was created with the WebGL platform.

In which genre is this game listed?

The genre label that fits this game best is Adventure.

Which gender demographic does this game target?

The game is tailored for the Male & Female audience.

What terms are used to tag this game?

The descriptors associated with this game are 1player, 2d, horror, platformer.

What are the recommended age groups for playing this game?

This game is best suited for the Kids, Teens, Young Adults, Adults, Seniors age demographic.

Does the game have any violent content involving blood?

Yes, blood is present in The Patagonians’s imagery or story.

Are there any cruel actions or themes in the game?

Yes, The Patagonians contains violent or cruel actions.

Is the content of the game safe for children?

No, The Patagonians cannot be played by kids without concern.
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